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Tag Archives Accademia

CITY OF ART

There are the Biennale’s Big Beasts, of course –

this year David Hockney’s ’82 Portraits

and 1 Still Life’ at the Ca’ Pesaro (each

painted in three days) and, at Palazzo

Grassi and Punta Della Dogana,

Damien Hirst’s ‘Treasures from the Wreck

of the Unbelievable’, which took ten years –

the pavilions in the Giardini

and the Arsenale; the freebies

in rented palaces and tenements.

 

And there are the abiding grand masters,

the Titians, Tinterettos,

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A DEFINITIVE HISTORY OF VENICE

DECLINE AND FALL

 

Once, there were no panhandlers in La

Serenissma. Now there are four beggars –

men from Dalmatia, the old colonies,

and a Roma woman with no past.

Near the Rialto, two alternate

on the same pitch: heads sunk, hands out, their stories

in English on cardboard. The third plays

an accordion near the Accademia,

his history on plywood at his feet.

Only the woman, dark-eyed, distressed, who sits

anonymous, huddled,

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