FAR ABOVE RUBIES

The silence woke her. Beyond the locked door

by now her maids should be chattering

in that harsh tongue. She went to the window.

Even the gulls on the battlements were mute.

And no guards on the ramparts, nobody

in the bailey. The straits were the colour

of the emerald at her neck – her father’s

wedding gift. A barque moved edgily

through the sands. Its pennants spoke of home.

The island’s coast was clear in the sun.

She imagined the light summer wind

stirring its fecund,

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THE SAME SHARED GROUND

Dee Estuary from Gayton Sands. © Sylvia Selzer 2009.


Larks and herons rise from the same shared ground –

a salt-marsh sprinkled with scurvy grass

like early snow. A navigable channel

is impossibly distant, far-off as

childhood’s spring tides. Silt obscured endeavour.

Sailors and milkmaids and priests lie low

as the worked-out coal seams. Glaciers made this –

ice miles, thick as centuries, combing valleys,

teasing out hills, a slow explosion

of seas. I imagine,

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CONFEDERATE CEMETERY, ALTON, ILLINOIS

All of the names of the dead are Celtic

or English. Most of them died – in the prison

near the river –  from typhoid rather than wounds.

Nobody set out to be cruel – farmers’

sons killing farmers’ sons. Their graveyard

above the bluffs was grassed, an obelisk built,

their names cast in bronze, bolted to limestone.

From the highway, there is no signage.

Eagles winter on the  bluffs. America’s heart

is green and fecund: a confluence –

Illinois,

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VIRTUALLY BIRDLESS IN ASSISI

The Dodo, Ustad Mansur, Agra, 1610

The Dodo, Ustad Mansur, Agra, 1610

 

 

 

For Sarah:  always a conservationist, latterly a twitcher.

                                 i

In Umbria – the cuore verde of pristine, wooded hills,

Orvieto’s honey-pale wines,

the paintings of Perugino and Pisano,

the Tiber’s milky jade,

tartufo nero

they stew thrush.

 

ii

At least once in our suburban garden,

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THE MEASURE OF ALL THINGS

Blondin carrying his manager, Harry Colcord, on a tightrope.

Blondin carrying his manager, Harry Colcord, on a tightrope.

Witness The Great Wallenda, an aging

high wire artiste, who, for his final act,

required technology’s summation –

tv, automobiles, bottles of plasma;

crossed a canyon on cable thin as a wrist;

walked on wire a quarter of a mile

above the earth. He stood, twice, on his head

and the crowds of thousands gasped, then cheered,

the noise muffled in that oh! profound gorge.

 

 

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