PREPOSITIONS II


TO LINDISFARNE

From Seahouses to

Inner Farne, a bumble bee

escorted our boat.

OFF POINT OF AIR

In a far channel,

a lone boatmen plays the pipes:

‘The Road to the Isles’.

FROM HILBRE ISLAND

A pale summer’s day –

low tide, windless, infinite:

seals bark distantly.

ON YNYS LLANDDWYN

On summer’s last  day,

wind flecked wave crests arise, curl,

spill like quick-silver.

FROM THE MARITIME MUSEUM

Brown pelicans glide

freely, over Alcatraz,

like tawny galleons.

FROM GOLDEN GATE BRIDGE

Shouldering the wind, our

close shadows are stretched below

on the ribbed water.

ON SCREMERSTON BEACH, NEW YEAR’S DAY

In the dunes, a seal

was stranded – dissipating whisky

and resolve.

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  1. #1 by Ian Craine - March 30th, 2010 at 10:33

    These poems of David’s are very good. I find them vivid; they are lyrical but grounded. And I love the lists of “keywords” that accompany them, each of which bears its own resonance.

  2. #2 by Dave Press - April 2nd, 2010 at 17:28

    I liked the journey across all that water. Can you really make out your shadow on the water from the Golden Gate? My memory is of being very high and constant wind and tide disturbing the water below. I cycled to and across the bridge from downtown San Francisco with my friend and colleague, Robin Norrie. We concluded our cycle ride with a lung busting grind to the top of Lombard street and then held up the traffic for a photo opportunity of Robin cycling down the curves.

  3. #3 by David - April 3rd, 2010 at 10:32

    Yes, we could make out our shadows. We were there in late May/early June and that day at the bridge about 3.00 and the water was ruffled but regularly so. The shadow of the bridge was clear on the water and also ourselves, or, rather, two hunched humanoid figures.

    Your question makes me realise that while I make up most things in life and art I do not invent the images that usually prompt a poem. On the contrary, those images (sometimes literal, photographic images) are the starting point.

    Who said writers don’t like talking about how they write?

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