Archive for January, 2010
FIDO
Posted by David Selzer in Poetry on January 31st, 2010
Once, when she was very small, a dream woke me.
Dawn, iron cages, a tiger and the eager,
little zoo keeper reaching out to pat it…
She slept soundly, her menagerie too:
balding princess, purblind bear, Mummy -
though not Daddy now nor, in the garden, Fido.
Oozing kapok, hair eroded by
loving, his one eye tarnished but keen like
small expectations, he kept faith by the swing.
Love’s unreason maintained such shabbiness -
and left him out all night. Barefooted,
I fetched him in by the handle. How love’s
confusion aches the heart!
GEORGE GERSHWIN AT CHIRK CASTLE
Posted by David Selzer in Poetry on January 31st, 2010
As we walk up the steep driveway, stopping
for breath at the curve where the castle
comes into sight – raised to block the routes
through the Dee Valley and Glyn Ceiriog
to starve the Welsh – a beribboned Rolls
descends, bride waving, followed, on foot,
by the wedding party in straggles -
black suits and brown shoes, wispy wedding hats -
treading the incline with tipsy effort.
‘The radio and the telephone
And the movies that we know
May just be passing fancies,
And in time may go!’
George Gershwin, born Jacob Gershovitz,
the second son of Russian immigrants,
ex song plugger in Tin Pan Alley
at Remick’s on West 28th Street,
in his thirtieth year visits Europe,
renews acquaintance with Alban Berg,
Ravel, Poulenc, Milhaud, Prokokiev
and William Walton, hears Rhapsody in Blue
and Concerto in F performed in Paris.
From the grassed walk above the Ha-ha,
we can see the main gates, unused now,
the lane to the station, the Cadbury
and MDF factories, the market town
of Chirk itself and, beyond, the panorama -
from Bickerton Hills to The Long Mynd -
as we follow the trail of illicit confetti
to the Doric Temple aka summerhouse.
‘But, oh my dear,
Our love is here to stay.
Together we’re
Going a long, long way.’
The 8th Lord Howard De Walden – Tommy
to friends and family, Eton and Sandhurst,
Boer War and Great War, race horse owner,
playwright, theatre impresario -
turned its 14th century chapel
into a concert hall and invited George.
The westering sun shines upon us, dreaming
in the Temple, your head upon my shoulder.
A flock of starlings swarms suddenly
above the town – waltzing, deceiving like
a net, substantial, delicate – and is gone.
‘In time the Rockies may crumble,
Gibraltar may tumble,
There’re only made of clay,
But our love is here to stay.’
There is no public record of what he played
or when or how he got here. I like to think
he chose the stopping train from Paddington,
to work on An American in Paris,
and that Tommy met him personally
at Chirk Station, drove him up the hill,
in his Hispano-Suiza, through the baroque
wrought iron gates replete with wolves’ and eagles’ heads -
and as they, genius and renaissance man,
chatted about the history of the place,
along the chestnut lined drive among
the grazing sheep, George thought of Brooklyn’s
geometric streets and of Manhattan’s roar.
WITNESS THIS ARMY
Posted by David Selzer in Poetry on January 31st, 2010
During the interval, after act three
of Glinka’s opera, ‘Ivan Susannin’ -
pre-revolution, ‘A Life for the Tzar’ -
Stalin would leave his box at the Bolshoi.
In the fourth act, Ivan, the peasant, lures
the Polish Army out of Smolensk
and into a profound, winter forest.
They are lost. In the last act, they kill him.
Deep in the Katyn woods near Smolensk, pines
darkened the clearing where thousands, thousands
of Polish officers turned to earth.
So many crimes unpunished, dead unnamed.
‘O, Polnische Kamerad, wo sind
der Juden?’ ‘Majdanek, Chelmno, Oswiecim.’
An epoch has the tyrants it preserves,
even for an eggshell.
PREPOSITIONS
Posted by David Selzer in Poetry on January 31st, 2010
ON THE PONTE SAN ANGELO
Three roma children
on New Year’s Day kindle a
fire from last year’s leaves.
IN SEVILLE
After rain, a girl
struts her stuff flamenco style:
no one notices.
BY THE A3
Four chestnut horses
flick their tails in the shade of
a horse chestnut tree.
AT KOM OMBO
Crocodiles, Pharaohs,
Romans, French, Turks, British gone:
only tourists, sand.
ON THE SHORTEST DAY
There is only one
theme: in death’s contemplation,
life’s celebration.
GOOD HOPE
Posted by David Selzer in Poetry on January 31st, 2010
At her back, the South Atlantic’s rolling seas,
those ice blue waters, break, skittering
on the silver sands. Burgeoning with child,
she smiles for the camera, as always
optimistically. Mussels encrust the rock
she leans on, kelp bobs like seals on the foam
and Southern Right Whales blow almost out of sight.
Due west, across the unbroken miles,
is Buenos Aires and the teeming hectares
of the Americas. We turn inland. An ostrich
high steps through proteas and heathers,
a tortoise navigates the undergrowth.
Some flowers bloom only after fire. Good choice
to be here on this cape of storms and wrecks.
She carries so many of our pasts -
refugees and indigenes, blacksmiths
and architects, poets and sea captains…
That first image of the future, of something
commonplace, something extraordinary,
will surface without summons, rise instantly,
engulf her forever.





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